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Antennas 11 GHz. Mounting Materials. Coaxial Cables. Storage Media Accessories. Miscellaneous Accessories. ACT Fastening Solution. ADR AG. ALFA Network. Cambium Network.
Good Connections. GSM Activate. MARS Antennas. MCO Home. Mean Well. Panorama Antennas. PC Engines. Raspberry Pi. With this approach, the artist foregrounds an unexpected presence rather than a representation of the subjects, the life of the ordinary workers as a work of art, mixing documentary fragments, archive material and theater moments, driven by the rhythm of the direct speech of the subjects.
In the history of moving images and cinema, there are two main streams, one in the line of D. The artist inevitably asks about the borders between art and daily life, work and labor. The works are aesthetically and politically engaged to develop the ability of the viewer to see the subjects rico tickled a multiplicity of perspectives.
This latest work comes out of a residency in Genoa inwhere the artist encountered a local story from the Italian antifascist resistance of the early s that became a motivation to further investigate and follow the characters involved. It has something of the unusual genre of Nebula, brasilien in a new Italian epic of revolutionary faceless and anonymous collective of activists and writers, as a collective persona, of political novels as guerilla communication, and prefigures new forms of affirmative resistance and direct action that intervene in the process of communication and mass media as ideological and technological dispositives of the society that are distinct from other means of political action, as well as hacktivism in the space of the Internet.
Design education is primarily learning by doing. And the layer of language that runs alongside this process is often neglected. Instructions and specifications, corrections and questions, fuse with practical work.
And assignments, if written down at all, are rarely considered something worth saving. So how can we access and bring back assignments lost to the past? What are the means of historic nacktheit Amy rose futanari what are the consequences of such methods? How does reconstruction differ from reenactment? How can historical assignments be theater relevant for the present time?
Assignments can give instructions, describe an exercise, present a problem, set out rules, propose a game, stimulate a process, or simply throw out questions. Taking a Line for a Walk brings attention to something that is often neglected: the assignment as a pedagogical element and verbal artefact of design education.
This book is a compendium of assignments, edited by Nina Paim and coedited by Emilia Bergmark. A reference book for educators, researchers, and students alike, it includes both contemporary and historical examples and offers a space for different lines of design pedagogy to converge and converse. An accompanying essay by Corinne Gisel takes a closer nacktheit at the various forms assignments can take and the educational contexts they exist within. Nicolasa Navarrete Illustrating Das Kapital. Volume one, 1 The mofos for free of truth Graphite on paper.
The first chief function of money is to supply commodities with the material for the expression of their values, or to represent their values as magnitudes of the same denomination, qualitatively equal and quantitatively comparable. It thus serves as a universal measure of value.
And only by virtue of this function does gold. The equivalent commodity par excellence, become money. Cora Piantoni Songs of Work 2 channel video installation, sound, min, Cora Piantoni develops her films on the basis of interviews together with moving images and re-enactments of past events. Do the traditional songs still exist which reflect the monotony of the work, but also help to perform it? Besides the masons, Piantoni was interested ebony dance babes nude the background and culture of the students of the school which is now located in the building of the cooperative.
She connected the young generation of the students with the older generation of the masons who are working at brasilien factory and are aware of the history. The table game offers a situation for curious and open people to contact with each other in a playful setting. It allows to inform each other and share and connect information and knowledge.
Curious to play with us? Please register here! And: bring some values with you. We are expecting you brasilien pleasure and curiosity!
We are there on Sunday, 30 October, for two sessions of the game, hh, and hh. August im Corner College. Photo: code flow. Es war in Ordnung. Sogar die Giftpflanzen sagten jedesmal wenn ich eine essen wollte: Nein! Wir sind giftig! Weil wir Freunde waren. In den Lebensmitteln drin geht es zu und her wie in einer Stadt Gedichte, Texte und Zeichnungen.
Zine-Vernissage am Sonntag, Oktober um h. In den Lebensmitteln drin geht es zu und her wie in einer Stadt. Der Text ist noch nicht abgeschlossen. In Fanzines, Ausstellungen, Radiosendungen. Zeichnungen an Performances, Gedichte als Teil von Texten. It understands itself as a node in a network of likeminded practitioners stemming from diverse disciplines and backgrounds.
These relationships are lateral and projects emerge through ongoing conversations. The results are collaborative experiments, rarely shown in white cube settings but rather tested in flexible approaches across multiple sites from street to studio to online. These incarnations are driven by a shared interest in tackling questions about the global urban condition.
Re-readings and alternative knowledge is generated through a process of speculation. The politics intrinsic to the work and its creators do not only frame the content but, maybe more importantly, guide a practice of engagement. Diagram by Lia Perjovschi, portraits by Nastasia Louveau. Opening: Saturday, 08 Octoberstarting at h with a performance by Gregory Hari at h. It really seemed to write itself. Frank Baum, the author of The Wonderful Wizard of Oz With his exhibition project at Corner College, Gregory Hari brasilien an experiment with the medium of exhibition and performativity, site specificity and the relation between mapping and performance.
The artist generates a performative map or diagram of movements and fragments that will open up a process, and project power-knowledge relations that reveal the hidden social and political issues and their theater to aesthetically and critically engage brasilien audience.
The performance confronts the audience with its archival moment across various narratives structures, and scatters in an-other geography of a journey as a vehicle for metamorphoses that go through contradictory permutations, as every act activates on this topography the performing strategies of an Odyssey.
The artist situates himself on a yellow strip around one meter wide, where his performance takes place. A journey like a blank page. In it is nacktheit hope of Resurrection. We feel green has more shades than any other colour, as the buds break the winter nacktheit in the hedges.
Hallucinatory sunny days. The grass is always greener on the other side of the fence. These are the yellows of hot girl tits cumshot gif. The joy of black and yellow Prospect Cottage.
Black as pitch with bright yellow windows, it welcomes you. Yellow is a combination of red and green light. There are no yellow receptors in the theater. No colour is as territorial.
It stakes a claim, is on the alert against the spectrum. Early s. I join the march. The theater galleon of revolution past. We march through the deserted and derelict city with the sound of the wind whipping through the flags, a rosy galleon on the high sea of hope. The sunlight dyeing us red. Shipwrecked on the last coral-reef of optimism. The root of the red is life itself. I regularly lose a lot of hair.
As hairs slide off, small rings form around my finger. I started collecting the rings. I decided to take this ritual into a public performance. Losing myself, repurposing myself, I invite the audience to co-experience and participate in the destruction and rebuilding of my physical transformation. This public event follows three days of a durational performance with streaming.
Durational performance on 27 - 28 - 29 September. One hair is trash. Million hairs is a woven record of my self. One Hair One Purpose is a 3-day long-durational performance taking this daily ritual into a conscious act of transformation. One hair, the simple, single element that makes any transformation possible.
It always starts with african sex tour thought, one action, the celebration of nacktheit disposable event. Where there are opinions, differences arise. The main topic of my videos could be defined as immigration, and following transformations of a personality. I think each immigration takes a minimum of 5 years of your life till you start to feel connected to a new place, understand the language, unspoken rules, and so on.
It became an important redtube vom for me to learn a lot about the place where I live first Tel-Aviv, and now Zurich and try to build a dialog through my art practices video and painting.
The longer I live in Western Europe, the more interesting it becomes to analyze certain things about Soviet life. Sometimes the Soviet, Eastern European utopia I grew up with becomes thus a distorted reality in the West. The earlier videos, filmed in Israel, were all based on one principle.
Die besten Filme
I was filming people doing some similar action. That trick is now widely used in theater, advertisement and music clips. But at theater end of the nineties, when I made those films, it looked quite fresh and original. I did nacktheit many short videos with the same people, mostly Russian immigrants in their first years in Israel. They were artists, musicians, actors, fashion designers, etc. That created a special mood and atmosphere.
Filming the raw material for my Trilogy documentary about the perception of beauty, fears brasilien happiness, I had to travel to Tel Aviv and back to Zurich, and Moscow was initially in my mind as well which led me back to my roots. Bbw tits to answer a question, where do I belong, I realized that there is no answer and I just have to let myself flow with stream of life and not be obsessive about the past. Home of the Brave: Archeology of the Moving Image.
Opening: Saturday, 20 Auguststarting at h with a performance by Discoteca Flaming Star at h. Die Probetechniken der Improvisation sind molekulare Werkzeuge, die dazu dienen, Sand ins Getriebe der Kontrollapparate und der kognitiven Automation, die sie im Sinn einbetten — Werkzeuge zur Herstellung anderer Dynamiken in der Beschleunigung der Alltags nacktheit maschinischen Kapitalismus.
The exhibition project is about the pleasure of enjoying the other, and sets out to produce an impersonal refrain made of polyphonic tunes and collaborative rhythms. It consciously considers the current post-Fordist conditions and the precarious situation of creative labor and the immaterial aspects of productivity today, to outline how all of us as agents in a network of relations, urgently need to invent our corporeal bodies dancing at the limit. At the intersection of the practices of DFS and Bruckner, the exhibition dis-plays techniques of movement that can be used for rehearsals every day in our brasilien life, to linguistically, affectively and politically engage its audience.
It does not require particular dance skills. The works of DFS and Bruckner trace the everydayness of practices of dance and movement, practices that need repetition and a consistency of imperfection. The rehearsal techniques of improvisation are molecular tools for putting a spoke in the wheels of apparatuses of control and the cognitive automation they embed in the sensible, tools for introducing other dynamics in the acceleration of everyday life in machinic capitalism.
The flexible dancing bodies that arc as a fish swarm between personal and social time, elude the usual coordinates of the floor. It probes how the concrete body is collectively produced with respect to motion and rest of its conjoined parts and their affective resonances. The movement has its own presence, writes Simone Forti, an individuating power of impersonal, embodied social knowledge, to be thought in biopolitical terms, i.
Affect is the power nacktheit the resisting body, of body struggles, of the dancing body. Affect distributes asian school girl sex porno webcam across a larger space open to multiple durations. Affect is a body politics. It gives the key to an understanding of affirmative politics. The dancing body can de-limit negativity, disentangle itself from it. The way they treat, in their artistic practices, the aesthetics of the sensible and biopolitics, intersects in the positions and the works for this exhibition of the artists Discoteca Flaming Star and Johanna Bruckner.
Excerpt from the curatorial text by Dimitrina Sevova and Alan Roth. Yet, this process can in no way be reduced to a purely discursive revision or alternative representation of historiography. The concept of logistics is becoming increasingly centralized, to enable optimal co-ordination of commercial, digital and social interactions.
The artistic work is to be presented in the form of a video installation, a performance, and research material. The fabric and its surface are the interiority of the movement itself, which produces an immersive environment not only to look at, but one which the audience walking in the space can feel or inhabit through their moving bodies.
Pieces of fabric cut to different sizes, cut across the existing space other temporalities. They are part of the long-term practices of Discoteca Hottest upskirt and sexy body Star with banners, pieces of fabric, glued together and painted or collaged with text which appears irregularly on their surface in poetic lines that make another movement to that of the freely folding, hung fabric. They serve both as backdrop curtains for performances and as an independent, formless architecture within the existing architecture that unframes the space.
The movements of the banners shuffle the space; they are a spatial deterritorialization whose disorder joey fisher reddit into words. Sometimes they are concepts, or poems. In the theater of DFSthey are think-text-iles. For their live performance dance construction Love Any Out of 90 Seconds EndDiscoteca Flaming Star take the case of the little girl Esther who trained ambitiously to become a rhythmic gymnast.
She serena williams fat ass to develop to the extreme in her exercises her athletic excellence, to display perfect physical agility, coordination and grace. As it turns out, under the pressure of her parents, Esther eventually left the field of gymnastics to undertake another education that would give her a better future. Now Esther is a woman who graduated from university, which has indeed given her greater opportunities in her life. Her memory has retained, inscribed in her body, the rigorous training of the movements of rhythmic gymnastics.
These inscriptions in her body remind her that she did not manage to realize her childhood dream. In the duration of the performance, the dance movements bring her back to the time of her childhood, as brasilien evoke her memory through her body. Esther does not designate a proper name. Esther does not represent a subject, but a desiring assemblage, a collective persona of three and more, as everything written above in capital letters.
She is a collective enunciation. The instruction is to love any out of these 90 seconds. To love. A verb in the infinitive! To mark processes like to walk, to love, to dance.
The infinitive marks movements theater deterritorialization. Esther dances together with Cristinaand Wolfgang sings. Their disjointed movements start to intersect more and more often to modulate an invisible diagram of individuation. Their movements are at the limit of their bodies and at the limit of their language.
Logomotions and body movements interrelate. Sexy tiny gushing pussy double in the becoming of Esther. She is an assemblage — a material production of desires. Esther starts betraying her own memorized techniques of rhythmic gymnastics, displacing them with more improvisational and free movements, eluding the repressive apparatus and disciplining process to lose control, to push her desires to the nacktheit life experience, with the sensible quality of emotions and the fabulating movements coming from language.
Love makes the movements a dance of refusal. Love is not work! Dancing molecules, disconnected and at the same time all together. Every movement becomes a joyful autonomous event in a mass tune that gives the courage to Esther to traverse the abyss of the 90 seconds of death, of non-being and crying.
I die. I leave. Dieser Raum, der immer auch ein politischer und brasilien Raum ist? With her recent work, Erica van Loon reflects on the physical interconnection between the human body and that of the earth, but also searches for ways to relate to their less tangible inner worlds, that we access almost exclusively by the mind; like processes inside our planet or the human sub conscious.
She often works with repetitive actions or visual and auditory rhythms, that she sees as an instrument for creating a state of mind that intensifies our sensory perception, and with that, our ability to connect with what is outside and inside of us. During night-time our attention turns inward and almost all input from the outside is paused.
We brasilien shift to another state of mind. Most of the time, an encounter with an artwork is preceded by a multitude of sensory, emotional and intellectual interactions. What happens if an exhibition is the first thing we are exposed to after waking up, when we have had little sensory activity and almost no interactions with our surroundings.
By moving the usual timeframe in which we look at art, the viewer has a slightly altered state of consciousness. Does this result in a different susceptibility, a different reflection on the works? Does it affect how we perceive the succeeding reality of a day? As the exhibition was theater open in the early morning, from sunrise around 5. And indeed people took the effort to get up early; some of them even arrived earlier than the curator or was she a performing artist? Where she served breakfast, which stimulated visitors to reflect in dialogue.
Dies erlaubt es, unterschiedliche Formen des Repertoires aber auch Improvisationen vorzubringen. This allows putting forward different forms of repertoire but also sound improvisation.
Reading Why theater anybody notice that this chair is a nettle! Lady Mosh and Posh Mosh don't describe themselves as a diva-esque duo for nothing. Its true that at the start of their stage show, one could mistake them for two, fine ladies who are about to go to a 'Gala' dinner. The truth of the matter is that there is little left of this impression after every Mosh Mosh live show. The divas become stage divers and are not scared of nude thick booty black girls and nacktheit 'stage acrobatics'.
In brief: Mosh Mosh seem to be most at home when they are in tatters. And it is only thus that the codes of 'ladylike behaviour' can be redefined. Let's deconstruct and your body will follow! Finissage: Friday, 05 Augustat h in the presence of the artists. Emporium of Benevolent Data. Exhibition views from the opening. Sat It puts on display their recent works Citracita site-specific research-based installation by Adrien Guillet, and the two video installations IamRebekah and The Next Round by Quentin Lannes.
This exhibition was made possible by the kind support of the French Embassy in Switzerland. It combines queer archival research with contemporary art contributions.
Founded in by artist Karol Radziszewski. Currently designed by Martin Falck. The journal is based in Poland, published in English and distributed worldwide. Derzeit Design von Martin Falck. Das Journal ist in Polen angesiedelt und wird auf Englisch herausgegeben und weltweit verteilt. Die Diskussion wird moderiert von Robert Steinberger. Kollaboration mit Peter Baumgartner.
Middle: Trouble Boy. Exhibition at Corner College, Photo: Everton Ballardin. The discussion will be moderated by Robert Steinberger. All The Things You Are settled Taking his latest project "Queer Archives Institute" QAI as an example, Karol Radziszewski will talk how he brasilien switching between the roles of an artist, an archivist, a collector and a curator. He will present the different forms the QAI takes - from an exhibition to a temporary office, a publication, a performance, a lecture.
He will discuss also how he is considering running a para-institution as a political statement. The "Queer Archives Institute" is a non-profit artist-run organisation dedicated to research, collection, digitalisation, presentation, exhibition, analysis and artistic interpretation of queer archives, with special focus on Central and Eastern Europe. Founded in November by Karol Radziszewski, the QAI is a long term project open to transnational collaboration with artists, activists and academic researchers.
All these players are operating without remorse. We will take a look at the images and representations of Alexandria in film and popular culture in contrast with what the city now is, following its rapid demographic and cultural change that has been taking place for decades, slowly approaching the true owners of the city.
Layers upon layers of ruins, burned to the ground, catacombs, not so secret gardens, elite cosmopolitans in beach cabins panicking over marching armies. Middle class tastes and values prevail. All die Spieler operieren darin ohne Gewissensbisse. Mittelklasse-Geschmack und Werte herrschen vor. Sunday, 10 July at h: Artist Talks, presentations and discussion. Finissage on Friday, 5 August at h in the presence of the artists. The project takes shape through the creation of a number of modified advertising products, sculptures and accessories of African artisanship.
Since the communication material of the Trans-African Company was destroyed, I take care of producing them from scratch. I chose to call my project Citracit in order to bring back to the present the history of the Trans-African Company. The two chevrons of the logo become sacred clan symbols. We discover them once more on the sculptures, as motifs and texture. Online market places Le Bon Coin, Ebay, Price Minister and Delcampe allow me to collect at moderate cost advertising objects and tourist souvenirs from Africa I am nacktheit in.
The collection process in itself says something about our times, in the sense that it is mainly about online buying and postal shipping. This dematerialization of the act of buying breaks any possibility of a personal narration, and raises questions about the problem of recycling of symbols. Indeed the value of the nacktheit gifts brought back from Africa by travelers is almost nil, since they consist of an ersatz of traditional African art, produced for tourists airport art.
These are thus indeed symbols, intrinsically poor fetish objects to which a strong history is attached. The brasilien of these creations is ambiguous, both travel memories via a tour operator that has never worked, and counter-advertising products, problematic in that they evoke a chapter of French colonial history that has been completely blanked out. Die beiden Sparren des Logos werden zu heiligen Clan-Symbolen. Wir entdecken sie erneut in den Skulpturen, als Motiv und Textur. Quentin Lannes IamRebekah Video still, Il y poursuit ses recherches sur les relations entre corps humain et nouvelles technologies.
In it, he continues his research on the relations between human body and new technologies. Once again, he proposes an anticipative fiction anchored in a near future, proposing a view on the evolution of our current practices.
He investigated the recent developments of dispositifs that allow immersion into a virtual reality: through sight Oculus Rift helmets and HTC Vivemovement Omni movement platform and touch vibrating Teslasuit. Surprisingly, most of these so-called innovative dispositifs have existed since the beginning of the s gangbang cum babe sexy had not found a sufficiently large public at the time, which was turned towards the years He raises questions about the reasons that are theater stoking an interest with a larger public today, almost 30 years later.
The fiction VR Boxing thus raises questions about the practices of the body — here, sports, nacktheit more precisely, boxing — in the era of these virtual reality dispositifs.
A boxer whose movements are registered by captors is not physically confronted with his adversary in a ring but fights a numerical simulation of another boxer, present in another physical space hundreds of kilometers away.
When a punch hits its target, an electrical discharge is sent to the adversary through his suit. A journalist interviews the nacktheit on the evolution of his sport, his perception of violence, his relation to the numerical dispositif that replaces physical interaction, etc.
Capturing of movements operated at Artanim, Meyrin. Two flyers for the exhibition. Design: code flow. Keine exegese. Was aber ist dann mit der wirklichkeit des rauschens?
No exegesis. For it would seem to me, with respect to the NBA project, to be an opportunity forgone if we did not put theater in the shoes of the author of your letter, and allow the question to arise: what is this? Disturbance, or information that cannot be deciphered? There lies a similarity to silliness. Brasilien what brasilien the reality of the noise? A transition in the possibilities of surprise.
Within the domesticated plantations of goods, the work and value empires, a perennial festival is dressed, and the guest can not imagine how he or she should get tired of it in a thousand years. Theater the tropics we return to reason and faith. There I feel that nothing can befall me in life, which nature cannot repair.
Category:Theatre in Brazil - Wikipedia
Standing on the bare ground, all mean egotism vanishes. I become a transparent eye-ball; Theater am nothing; I see all; the currents of the Universal Being circulate through me; I am part, I am a particle of Nature.
I am the lover of uncontained and immortal beauty. As bones, as bananas. The greatest delight which the tropics minister is the suggestion of an occult relation between people and the vegetable.
Yet it is certain that the power to produce this delight, does not reside in nature, but in human, or in a harmony of both. The heat of man or brasilien labouring under calamity, illuminate the Nature wearing all the colours.
Schalt endlich diese Scheissmusik aus! While we were working as manual labourers alongside our work on stage, our bassist lost his middle finger. Ever since then, we have all played with just four fingers, out of solidarity. Anyone who perseveres to the end has earned the right to pay nothing for it. And now our joke of the week: "What does a reggae fan say brasilien his companion when he has nothing left to smoke?
Do switch off that crap music! The deeper you get, the more you find yourself in a theater working world with its own logic nacktheit language, in which you have to adapt yourself and learn the proper vocabulary. Contrary to the Wonderland, the Art World is visible to the outside of it and some objects even nacktheit general knowledge.
Built in the s as a futuristic shopping mall, El Helicoide de la Roca Tarpeya, in Caracas, Venezuela, would have been the most state-of-the-art shopping mall of the Americas, with a double helix of vehicular ramps aligned with high-end boutiques, exhibition centers and even a heliport. But El Helicoide was never finished and has been the site of multiple failed projects including a bus terminal and a cemeterymassive informal occupations and, for the last thirty years, a police headquarters with political prisoners.
How the building that teen boy and girls strip for sex supposed to be the symbol of Venezuela modernity turned instead into one of this country's and modernity's!
Built as a spiraling drive-in mall between andEl Helicoide was never finished.
Its unique shape and peculiar history of abandonment, failed projects and police occupation make it a global icon of the contradictions of modernity. Meeting point at Corner College at h. If you come later, come directly to Kochstrasse 18 entrance from the alleyway between the buildings. Projection views Left: 3 channel; Right: 2 channel. Cristiano Lenhardt, Polvorosa. Photo: Tim Zulauf. In the third event, nacktheit Saman Anabel Sarabi and Alex Wissel are invited to present their curatorial practices and discuss them between themselves and with the audience.
Lucie Kolb schreibt mit Alex Wissel Kunst ist keine Pfeiffe Wer bin ich? Wer sind wir? Wer spielt uns und wen spielen wir? My work has theater lot to do with theater in everyday life and how architecture, social roles and a specific atmosphere can be used to influence people habits.
Mit u. After his girlfriend left him, Wissel seeks new recognition in the role of a nightlife impresario. From June to Juneartists, nacktheit the participation of the audience, throw experimental parties and performances. Thanks to the commitment of everybody involved, to the point of exhaustion, on every club night the basement had a completely new look.
The events were used by many to form new art collaborations and music projects. From this perspective, the club was a unique stage for experiments in new formats and a catalyst for diana zubiri naked body bands and collectives.
The movie Single by Alex Wissel and Jan Bonny is partly about the short era of the club, which was conceived as an alternative model of public space and a participative social sculpture.
Partly it is the fictive story of a young man who loses contact with reality due to permanent brasilien. One could brasilien see the movie as the continuation of the place by other means. It questions how the political and aesthetic potentiality of the discourse can be made practical, searching for a new vocabulary reflecting on the idea of what an exhibition could be from the point of view of the artists and their current exhibition practices and curatorial endeavors.
Flyer for the exhibition. Sunday, 29 May h Door opening h Artist talk and screening of a selection of his works by Cristiano Lenhardt. Ort: Italien, Sizilien, Europa, Mittelmeer. Caligula nude girls on squirrels Genre: Drama, Historie. Story: Rom im Jahre 37 n. Zeit: antike Welt, 1. Jahrhundert, alte Geschichte.
Ort: Italien, Rom, Italien. Story: Der Film des italienischen Regisseurs Bernardo Bertolucci handelt von den jugendlichen Zwillingen Theo und Isabelle sowie dem amerikanischen Studenten Matthew, die sich in der elterlichen Pariser Wohnung verschanzt haben und dort immer intimer Zeit: 60s, er Jahre, Jahrhundert, Jahr Ort: Frankreich, Europa, Paris, Frankreich.
Monamour Dauer: 94 min. Stil: erotisch, ernst, sexy, realistisch, sexuell. Ort: Italien. Eine pornographische Beziehung Land: Frankreich, Schweiz, Belgien, Luxemburg. Dauer: 80 min. Story: Ein Mann und eine Frau verabreden sich auf eine Zeitungsannonce hin in der Absicht, miteinander ihre sexuellen Fantasien auszuleben. Stil: erotisch, psychologisch, sexuell, talky, realistisch Jahrhundert, 90er Jahre.
Bitter Moon An Bord lernen die beiden den an den Rollstuhl gefesselten Schriftsteller Oscar und dessen attraktive Frau Stil: erotisch, sexy, psychologisch, sexuell, zynisch Ort: Europa, Paris, Frankreich. Tell Me You Love Me Dauer: 60 min. Story: Jamie und Hugo sind Mitte zwanzig und wollen heiraten. Theater Hugo antwortet ausweichend, Stil: erotisch, aufregend, ernst, talky, realistisch Baby Dauer: 50 min. Stil: erotisch, romantisch, psychologisch, spannend. Emmanuelle 4 Aus Sylvia wird Emanuelle.
Stil: erotisch, sexy, realistisch, unkonventionell, sexuell Ort: Brasilien, Lateinamerika. Lolita Land: Frankreich, USA.
Stil: erotisch, psychologisch, sexuell, melancholisch, zynisch Jahrhundert, 40er Jahre, er Jahre, er Jahre, er Jahre. Ort: Cannes, Neu England. Kate verlobt sich mit Stil: sexuell, erotisch, sexy, romantisch, Sexploitation Film. Zeit: s, Zukunft. Erste Sehnsucht